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The Art of Reading Poetry, by Harold Bloom
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A paperback original, Bloom's stand–alone introduction to The Best Poems of the English Language.
A notable feature of Harold Bloom's poetry anthology The Best Poems English Language is his lengthy introductory essay, here reprinted as a separate book. For the first time Bloom gives his readers an elegant guide to reading poetry––a master critic's distillation of a lifetime of teaching and criticism. He tackles such subjects as poetic voice, the nature of metaphor and allusion, and the nature of poetic value itself. Bloom writes "the work of great poetry is to aid us to become free artists of ourselves." This essay is an invaluable guide to poetry.
This edition will also include a recommended reading list of poems.
- Sales Rank: #877017 in Books
- Published on: 2005-03-01
- Released on: 2005-03-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .24" w x 5.31" l, .18 pounds
- Binding: Paperback
- 96 pages
About the Author
Harold Bloom is a Sterling Professor of the Humanities at Yale University and a former Charles Eliot Norton Professor at Harvard. His more than thirty books include The Best Poems of the English Language, The Art of Reading Poetry, and The Book of J. He is a MacArthur Prize Fellow, a member of the American Academy of Arts and Letters, and the recipient of many awards and honorary degrees, including the Academy’s Gold Medal for Belles Lettres and Criticism, the International Prize of Catalonia, and the Alfonso Reyes Prize of Mexico.
Most helpful customer reviews
8 of 10 people found the following review helpful.
A Blooming Confusion
By A Certain Bibliophile
While Harold Bloom might be able to artfully expatiate upon the tragic flaws of various and sundry Shakespeare heroes, he commits one of his own here: he hasn't the faintest idea of his audience. Too sophisticated for a tyro and a mere introduction for anyone that attended sophomore English, Bloom commits the ultimate act of literary hamartia - which, staying true to the Aristotelian spirit of tragedy, he doesn't realize.
Bloom begins by noting that poetry is essentially figurative speech, going on to further note (smartly) that prosaic speech is figuration, too, but figuration whose immediacy as such as been lost. For a large portion of the volume, he reads several poems through the lens of Kenneth Burke's understanding of the four figurative tropes: irony, synecdoche, metonymy, and metaphor. Do you already know what these words mean? Assuming that you do (I'm guessing that most people who don't wouldn't know who Harold Bloom is), the vast majority of this book will be nothing new.
Bloom does manage to make some interesting points about the roles of allusion and intertextuality in poetry, giving examples of how some poems consciously mimic others stylistically (the scorn he heaps upon the "self-pitying and metrically maladroit" Poe is hilarious). He ends the book with the consideration that poetry is basically an exercise in which we encounter, in the words of Owen Barfield, "in contact with a different kind of consciousness from our own," which Bloom construes as a sort of cognitive "strangeness." This definition, while perhaps already glaringly obvious to the serious reader of poetry, has always rung true with me.
The strangeness of this book, however, is of quite another sort. We are offered interpretation after interpretation, without being offered even the rudimentary mechanics of how to "read a poem" suggested in the title, if such a mechanics are even available. Maybe his emphasis was on the "art" instead of the "reading poetry."
33 of 40 people found the following review helpful.
There is more in poetry than is dreamnt in his theory
By Shalom Freedman
Harold Bloom has an enormous love and an immense knowledge of poetry. His interpretative works show not only his tremendous knowledge but his great creative power in thought. This present small volume which is the introduction to a volume published last year the anthology 'The Best Poems of the English Language' I found a bit disappointing. Bloom opens by talking about poetry as figurative language, and then following Kenneth Burke in talking of the tropes which make up figurative language, irony, synecdoche, metonymy, and metaphor. And with this he sets the tone for an essay which is more an eclectic mishmash than it is an insightful look into the heart of reading poetry.
He goes on to talk about the importance of allusion in poetry, once again working with his most famous thesis of new poets rivalry with, and their need to overcome their predecessors. He talks about the poetry of thought in Shakespeare, and gives nine poetic passages which illustrate the quality of ' poetic voice'. Toward the end of the volume he makes the general statement that poetry is essentially about expanding the consciousness.
I did not find all of this particularly useful in helping me understand how to better read poetry. It seems to me that if Bloom had been true to the title of the work he should have done in this small volume a lot more close reading. And he should have done this about poems which are relatively ' easy' and ' well- known'. And he should too have said something about certain practical steps( for example the importance of memorizing poetry in order to truly make it one's own. The experience of 'knowing and reciting poetry' enhances the art of reading as Bloom himself the memorizer of volumes of poetry well knows).
It seems to me too that in this volume Bloom technically straitjackets ' poetry'. Consider for instance the difference between reading the poetry of the Psalms, and reading the poetry of Shakespeare. Consider the difference between reading the poetry of Wordsworth and reading the poetry of Emily Dickinson. There are not simply enormous differences in the content, message, meaning of the poetry but enormous differences in the means of expression and their intent. To read a poet is to somehow feel inside another world. Reading poetry requires above all a kind of emotional empathy that Bloom does not talk about at all. Poetry is after all the deepest way we have of expressing feelings with words. Bloom somehow in this particular work is not interested in that dimension.
I also think that Bloom erred in not thinking at all about the way 'poetry ' is ' food for the soul'. I have just been reading Akhmatova and considering the way she was a ' voice for the suffering Russian people' a source of consolation and hope to so many . Poetry I want to say gives a kind of sustenance to mind, heart, and soul. And it is a gift many readers do not know how to appreciate and enjoy, even intelligent readers.
I do not believe that this particular work will help those readers very much.
And this again when I have enormous respect for Harold Bloom one of the great readers of poetry in our time.
40 of 48 people found the following review helpful.
not a bargain by any standard
By Gendun
I was extremely irked to learn soon after purchasing this book that this is the stand-alone version of the introduction to Bloom's anthology "The Best Poems in the English Language". For scarcely more than twice the price, you may purchase the much-longer anthology. I'm kicking myself.
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